Image Project

This project definitely helped me become much more proficient in the use of Photoshop. I really loved coloring, creating, and editing images for my site and found it fun. Unfortunately it is also time consuming and was hard to want to do my other classes homework.

I am okay with the way my Image Assignment turned out, I have a few things I feel aren’t quite right, but I was frustrated and needed to move on. Perhaps later I can go back and work on some more. Such as the layout of the images.


I haven’t gotten too all of the readings yet but I am finding the ones I have read useful and interesting. I think it is important to consider disabled users needs for websites as they do account of a chunk of our web traffic.


I commented on Danielle‘s blog.

Photoshop Part 2

So this week I focused on then engraving and vignetted photographs. After getting extremely frustrated with the engraving task I finally got it to work and I am quite satisfied with my outcome.

On GuardBlue-Guard-Engraving


 

As an art historian visual evidence is a major part of my research. The various editing techniques we have learned must be used sparingly and with the right notations and intentions otherwise one may loose the very backing the evidence  was supposed to give. Colorizing can be fun, but should be used cautiously in regards to research.

Something that was brought up last week in class that I want to address is the use of partial images. Sometimes all that one has is partial drawings or photographs of someone of something. It was asked how much one can restore a photograph. I think that as far as using an image as evidence the only restoration we can do is cleaning up scratches or spots. If there are chunks missing either do not use that image or use the information you have within the image and later if other documents are found that may change an interpretation, go from there. In art history we are not always lucky enough to find completely whole wall engravings or paintings, but if we were to add or complete what appears to be a missing line we are misrepresenting the information we have. Sometimes that means if further scientific advances allow for more details to be uncovered interpretations may change. Otherwise the interpretation and analysis is done with as much of the image as one has.


 

I commented on Theanna‘s and Annie‘s blogs.

 

 

Photoshop

So I started the Image project last before last weeks class. I was doing quite well with the coloring of a photograph so I thought “why not try engraving?” Well that felt a bit overwhelming reading over the tutorial. I decided to wait until class tomorrow.

So far I’m finishing up the hand-colored photograph and finished with the cropped and resized image. I tried a vignetted photograph but something went wrong so I’ll try that again tomorrow. I really enjoyed hand-coloring a photograph it’s definitely up my ally. A down side is that it is super time consuming and I started getting distracted by the need to do other homework.

Here is what I have so far in the coloring:

nypl.digitalcollections.510d47da-dcbc-a3d9-e040-e00a18064a99.001.w     Italian Woman

I only have a few more areas to do. The background is giving me a lot of trouble because I’m not sure what she is in front of.

 

I commented on Alecia‘s blog.

 

Photos and Illustration

I read Chapter 9 of White Space is Not Your Enemy “Adding Visual Appeal: Working with Photos & Illustrations.” This chapter was super awesome and got me really excited about using illustrations in my web page. However that is something I don’t really know how to do so I guess my ideas may get a bit ahead of my ability!

Errol Morris’s “Case of the Inappropriate Alarm Clock” was extremely interesting. As an art historian I understand that art and artists can make art that is just more than something to look at. Art can be something beautiful to look at, art can be symbolic, and art can be propaganda. Sometimes the propaganda is intended by the artist sometimes it is taken and used by others, but regardless art is not created within a vacuum. Photography is a big part of this, when we look at a photograph we think it is telling the truth, the whole story, and is frozen in time. However just like a painting the photographer has the ability to control what is or is not in the frame and what is happening in a scene. Even if fancy photoshop tools weren’t being used, editing was occurring in some form. It was the interview in Part 2 and Part 3 with James Curtis that was really interesting in regards to exploring the style and authenticity of the F.S.A photography from an art historians perspective. I think ignoring the details behind the art can limit the perspective of the photograph or painting as a useful source for history.


I started with the Lynda Video’s but I haven’t done much work in photoshop. I do need to do more. I’m trying to get a bunch of it finished by tomorrow before class.

I commented on Mark and Rebecca‘s blogs.

Color

So on the syllabus the reading for this upcoming class read White Space is Not Your Enemy Chapter 7, however do to the theme of the rest of the readings I read Chapter 8, since it was on color rather than type.

As an artist I studied color theory in art school. I found these books fairly basic in their description of color theory. However I found the section “Color Technology: That’s Not the Color I Chose. What Happened?” really useful. I was a painting major and my experience using color was not digital but in the real world (for lack of a better way to say it). Understanding how colors being digital was interesting. I particularly found the portion on why web color behaves badly and how to specify color for print. I think both of those will be extremely helpful to me when I am working on the future projects.


Photoshop:
While working on the webpage from last class I had to go back into using Photoshop, which I hadn’t done regularly since high school. It took a bit to get the knowledge back, but eventually I was back into the groove. Something I did not know while trying to place the image into the page was why a white background kept coming in. I made a guess and exported it to a .png file and it worked. I don’t really know what a png file is, I know png stands for Portable Network Graphics and according the the internet it is “a raster graphics file format that supports lossless data compression. PNG was created as an improved, non-patented replacement for Graphics Interchange Format (GIF), and is the most used lossless image compression format on the Internet.” (just copied form a google search). While I have a definition not much of that really means anything, but either way I’m glad I got the image to work.

 


 

I commented on Amy’s and Tamara’s blogs.